References
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3E Process Seed Bank - Bateson, G. (1955)
A Theory of Play and Fantasy. - Derrida, J. (1966)
Structure, Sign, and Play in the Discourse of the Human Sciences - Friedman, K., Smith, O. and Sawchyn, L. (2002)
Fluxus Performance Workbook - Gil, S.P. (2015)
Tacit Engagement Beyond Interaction - Sha X.W. (2008)
What is research in contemporary art? (one page). - Sha X.W. (2012)
"The Atelier-Lab as a Transversal Machine". Revue française d’études américaines 128, 62 - 78. - Sha X.W. (2017)
"Synthesis ethos and working practices." - Sha X.W. (2021)
"Play and Ontogenesis" (diagram essay). - Sha X.W. (2021)
"Alchemy for the 21st century" , ISEA 2020 (31 slides) - Stengers, I. (2010)
Cosmopolitics - Laxton, S. (2019)
Surrealism at Play - Sayers, Jentery, ed. (2017)
Making Things and Drawing Boundaries: Experiments in the Digital Humanities - Flanagan, M. (2013)
Critical Play: Radical Game Design - Irigaray, L. (2015)
Building a New World - Crabtree, A. and Rodden, T. (2008)
“Hybrid Ecologies: Understanding Cooperative Interaction in Emerging Physical-Digital Environments.” Personal and Ubiquitous Computing 12 (7): 481–93. - Choy, T.K., Faier, L., Hathaway, M.J., Inoue, M., Satsuka, S. and Tsing, A. (2009)
“A New Form of Collaboration in Cultural Anthropology: Matsutake Worlds.” American Ethnologist 36 (2): 380–403. - Nolan, J.M., and Turner, N.J. (2011)
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“The Maya milpa: fire and the legacy of living soil.” in Ethnobiology, edited by E. N. Anderson, D. Pearsall, E. Hunn, and N. Turner, 133–47. Hoboken, NJ, USA: John Wiley & Sons, Inc.
